Parashakthi Amman

Parashakthi (Eternal Mother) Temple

 

551 W. Kennett, Pontiac, Michigan 48340
Phone: 248-322-4731 e-mail: om@parashakthitemple.org

 
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Legendary Musician and Padmabhushan
Dr Balamurali Krishna's
Visit and Miraculous Experience at Parashakthi Temple.

 

 

 

It was the morning of October 17th, 2011 when Dr. Balamurali Krishna arrived at my house. For those who do not know him, he is a legendary musician and a Padmabhushan awardee. He is a highly accomplished singer, able to sing perfectly in three octaves, as well as being renowned as a composer, poet, and instrumentalist. Even in his younger days, he showed promise of his musical dexterity. At the mere age of fourteen, he composed a detailed work known as Raganga Ravali on all 72 Melakartas (basic scales of Carnatic music). Throughout his life, Balamurali Krishna has composed over six hundred compositions.


When I picked him up at the airport, I did not fail to notice his pale face and acute cough. And though it seemed as if his lungs were about to pop, he managed to keep a smiling face. At home we tried many remedies to ease his throat but nothing appeared to work, and he spent a difficult night. The next morning I took him to see my personal physician. He would have back-to-back concerts the coming weekend and I was eager to help him get better. However, the doctor felt that he would have to cancel his weekend concerts and give his throat more time to heal.


But then, miracles began to happen. I took him to the Parashakthi temple in Pontiac and the priests were ecstatic and surprised to see this legend. Hardly anyone was in the temple, that evening being a weekday. He walked around the temple like a typical south Indian man with his hands behind his back and talking about the vibrations inside the temple sanctum. After a while, he sat in front of Amma and invited me to sing with him. Delighted as I was, I felt somewhat nervous at the prospect of singing with such a widely known and respected musician. But to my pleasant surprise, he rendered Om Kara Karini in Lavangi, one of my favorite compositions.


I sang with him, and I was spellbound as he easily drifted through multiple octaves with amazing sangatis with no sign of lung infection. This was followed by an excellent composition “Amba Mamava Akhila Jagadamba Mamava”. Just as effortlessly, he breezed through Ranjani, Niranjani and Janaranjani as though his cough had never existed. I knew this was a sign from the goddess Herself. Needless to say, Amma made sure he completed his weekend concerts with ease.


- written by Mr. Vijay Nurani (Devotee)

 

 
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